By Crested Butte, Colorado photographer, Dusty Demerson
April 07, 2021 • Leave a Comment
Springtime brings green grass and leaves along with flowers to most parts of our country. Life at 9,000 feet is a little different though. Most of the moisture falling from the sky before June comes in the form of snow. Spring snows are usually wet and sticky unlike our familiar "powder". Spring snow sticks to stuff like branches, cars, signs, etc. But, it doesn't stick around for very long. If I'm going to chase spring snow I have to get to work quickly.
Two years ago in late April, we were blessed with a spring snowstorm that created a fantasy world in the local forests. I jumped in the Jeep and drove around trying to find some interesting images before the snow melted or simply fell from its landing spots. I found this collection of aspen trees not far from my home that was well-decorated with fresh snow. That part was expected. What was unexpected was the feeling created by the convergence of the towering trees. Slightly enhanced by the use of a wide-angle lens, this snow-covered aspen forest resembled a cathedral with tree pillars reaching for the heavens. I spent some time in this church and took home a few photos.
Coming up with titles to my photos is one of my more challenging tasks. It's not a task I enjoy and I sometimes seek input from other people who can see the photograph with less biased eyes. This was not the case with "Cathedral". I had the title before I left the scene. Spending time in nature is like going to church for me and many others. It's where I find my center and get away from life's distractions.
As we move into another April, I'm looking forward to spending more time in my cathedrals before the summer crowds arrive. I hope to see you in church!
March 31, 2021 • 1 Comment
There's a plant in the high country that grows every spring in damp areas. It has huge, bright green leaves but doesn't produce flowers every year. Many locals call this plant Skunk Cabbage. My biologist friends assure me that this is not Skunk Cabbage, a completely different plant that's not native to Colorado. This one is actually called Corn Lilly.
Whatever we call it, we always look forward to its arrival since it means green will be the dominant color for the next few months. I like its shape. The entwined and overlapping leaves have gentle curves and a subtle texture under soft, diffused light, creating a somewhat abstract form. I enjoy finding abstract forms in nature though I don't think I'm very good at it. It seems like we need to look much closer at our subjects to find the abstract and I'm more of a "big picture" photographer. The Corn Lilly is the perfect subject for discovering those abstract forms in a larger subject. Although the bright sun can make it look harsh and shiny with deep shadows, bright diffused light makes this plant sing to me. The biggest challenge seems to be finding perfect subjects since bugs like to chew on the leaves and they catch anything that falls from above. They grow up to 2 inches a day so catching fresh subjects can be challenging.
I'm still searching for the perfect title for this photograph so, if you have any ideas, I would love to hear about them. I'm not really sold on "Don't Call Me Skunk Cabbage".
January 06, 2021 • Leave a Comment
Four Crosses - San Geronimo ChurchThe 4 crosses of San Geronimo Church of Taos Pueblo, New Mexico top this highly symmetrical, historic mission built in 1850 after the destruction of the original Spanish Colonial chuch just outside the walls of the Pueblo.
Four Crosses - San Geronimo Church
I miss being able to travel. I love to travel. Especially in the southwest United States. I especially like visiting and discovering the Spanish Colonial mission churches in this part of the country. So many have suffered the ravages of 400 - 500 years of wear and tear and are now ruins, unlike the San Geronimo Church above.
While visiting Taos Pueblo in New Mexico, I was first captivated by the original ruins and cemetery just outside the walls of the famous pueblo. The original church was hundreds of years old but was ultimately destroyed in the mid-1800s to quell an uprising. This version of the church is within the walls of the Pueblo and was built in 1850. I love the symmetry of the bell towers and crosses. This is pretty common among the churches in Northern New Mexico. The contrast of the white-washed portions with the blue sky and warm-toned adobe creates a minimalist palette that I really love. I don't usually like a cloudless sky but in this case, I think it supports the minimalism and clean lines of the composition.
Taos Pueblo is a favorite place of mine to visit even though the residents are frequently less than welcoming. The history and architecture of a Pueblo occupied for over 1,000 years makes the visit worthwhile. Finding good photographic subjects, however, can be a challenge. Especially if you're trying to find a unique point of view which is always my goal. I'm not here to do what has already been done!
Today, traveling in New Mexico from out of state requires a 14-day quarantine making this destination off-limits to most of us. I hope we can get back to a more normal lifestyle in the near future. In the meantime, I hope you enjoy "Four Crosses - San Geronimo Church".
December 24, 2020 • Leave a Comment
Warm WishesA decorated Victorian front porch welcomes Christmas visitors in Crested Butte, Colorado.
This time of year I usually spend a few evenings and early mornings cruising the streets of Crested Butte looking for well-decorated homes and shops. Our historic, Victorian architecture lends a beautiful touch to some subtle holiday decorations. A little snow helps too. Sometimes my work helps put me in the mood I need to celebrate the holiday season.
I hope you are able to find whatever puts you in the mood to celebrate in the next few days. Warm Wishes from Crested Butte!
December 02, 2020 • Leave a Comment
The winter of 2007-2008 brought record amounts of snow to the mountains of Colorado. In December, usually a pretty dry month, we had over 100" of snow in a 10 day period. It was beautiful. It put huge smiles on the skier's faces. It put some smiles on the photographer's faces as well.
Back then the town of Crested Butte left the piles of snow as a buffer between street and sidewalk traffic. Each business would have to shovel a hole in front of their shop so shoppers parked along the street could get to the sidewalk and their stores. Although the weight of this much snow can threaten the building below, it accumulated much more quickly than anyone could shovel it off. It did make for some great photos though.
One of the tricks to getting great snow photos is to get to the snow before anyone else does. It's much nicer without cars, tracks, and those shoveled paths to the street. Also, once the sun hits it, snow starts to fall from tree branches and signs. "Elk Avenue Snow" was captured just before sunrise on a completely empty street devoid of cars or people. Before sunrise the light is soft and there are few shadows, just about always my favorite lighting scenario. The color balance before sunrise is a little blue. I could correct for that and make the snow more neutral but I really preferred the cooler feel to the image. I like to use a longer, telephoto lens for photographs like this since it seems to compress more buildings into less space. I used an 80-200mm zoom lens at 135mm on my Fujifilm S5 Pro camera for this image. The exposure was 1 second at f16 making the tripod a necessity. A tripod is usually a necessary tool in my photography.
As we head into winter again, most of us up in the mountains are hoping to end 2020 with abundant snowfall. Our attitudes could really use a break this year! I hope you enjoy "Elk Avenue Snow".
November 14, 2020 • Leave a Comment
What is it About Black and White?
For many of the early decades of photography creating images in color was not an option. That may have been a good thing for photography artistically. The lack of color causes us to view the photograph more abstractly. It's clearly not the reality we're looking at so we tend to concentrate on the forms, subject, lighting, and composition instead of viewing the scene as a snapshot of reality.
With many scenes, in my experience, the color in the original scene actually competes with the subject. The scene above is a great example since the blue in the sky and brown tones of the foreground pulled attention away from the storm. Another advantage of converting or working in black and white is a much greater ability to modify contrast. Had I increased the contrast of the color version to achieve the tonality above, the photo would be extremely garish and harsh. With color photography, there's a fairly limited range of adjustments to contrast, saturation, and color that we will find acceptable. If we take the adjustments too far, the image looks fake and overly manipulated. Since monotone photography is already an abstract concept, we have a lot more freedom in the available adjustments.
The pioneers of black and white landscape photography like Adams, Weston, Caponigro, and others used this freedom to great effect. They manipulated tone and contrast to re-create their vision of the landscape. If a photographer can take photos of apples or peppers and make prints that make you wonder if you're looking at the night sky instead, real abstract magic has been applied. I've never seen that effect duplicated in color imagery. Ansel Adams created some iconic landscapes using filters and processing techniques that allowed him to accentuate the subject and create unreal contrast with the surrounding sky or foliage. Because we see monochrome photography abstractly, we accept black skies and bright foliage without question. The same approach just doesn't fly with color photography even though many have tried. We tend to end-up with photographs that are interesting at first glance but tend to annoy us if we look at them for too long. If they end up on our walls, they don't stay there very long. Black and white photography, however, becomes timeless.
October 14, 2020 • 1 Comment
Crystal Mill Colors
Crystal Mill ColorsThe historic and famous Crystal Mill along the Crystal River between the Colorado towns of Crystal and Marble. While not actually a mill, the historic building actually provided compressed air to run local mining operations on Sheep Mountain.
A few years ago after most of the leaves had fallen from the trees near my home I decided to make the drive over to Aspen while Kebler Pass was still open. When I got to the top of McClure Pass I discovered that the fall colors were peaking and the tops of the mountains were dusted with a little fresh snow. The trip to Aspen would have to wait. After photographing the colorful forests surrounding the pass It occurred to me that the historic Crystal Mill might be perfect. So, I made the arduous drive to the famous "mill" near Crystal City.
It's always a challenge to photograph an iconic scene in a new or unique way. The front of the building is almost always in the shade but I wanted the color and texture to be visible in my photo. I made a series of exposures to make certain I had details in the shadows and then combined them using a technique called HDR. I used a 17mm wide-angle lens to include the river and waterfall which help frame the building. Today, this specific point of view has become overgrown and is very difficult to achieve. Having the golden aspen forest and great clouds in the sky was an added bonus.
Even though lots of photographers have created similar photographs, "Crystal Mill Colors" remains one of my favorite images. I hope you like it too!
October 07, 2020 • Leave a Comment
I have always enjoyed the art created by the impressionist painters. I recently learned that many of them used photography to capture the scenes of life they later expressed in their paintings. The photograph above brings the art of impressionism full-circle back to photography.
After trying unsuccessfully, for many years to create that painterly look in my photographs, it turned out that nature provided the perfect fuzziness that filters and brushes in software just could not achieve. The thing I like most about the art of the impressionists is that they can convey a subject using color and form without distracting details. Getting rid of the details is pretty tough using modern photographic techniques. Even using special optics like the Lens Baby or glass filters with nail polish has left me disappointed with the results.
"Autumn Impressions" was photographed in 2014 at Lake Grant in the Skyland community near Crested Butte. The light was my favorite for photographing aspen forests, bright and diffused daylight. The fall colors were at their peak and the perfect ripples in the lake were provided by aerators used to circulate air through the water. My first attempts at composing this image included the tops of the colorful trees but the rocks and dirt behind them were distracting and pulled attention away from the reflection. I think the white trunks of the aspen trees bring quite a lot to the scene. Some other species of tree might not have worked as well.
I hope you like "Autumn Impressions". It just sold from Paradise Cafe in downtown Crested Butte, Colorado.
September 09, 2020 • Leave a Comment
I am fortunate to live in an area favored by many of the world's best artists for capturing fall foliage. I get to spend more time than most wandering the back roads of western Colorado in search of the perfect photograph. I did not have to wander very far to find "Aspenshine".
While this is not a new photograph, I've been sitting on it for quite a while. I like my subjects to be tack-sharp and the original capture of this photograph was just not up to standards. I have learned, the hard way, over the years that technology might be able to save some of my mistakes if I hang on to them long enough. That bit of wisdom holds true for this image. New software offerings are now using artificial intelligence to legitimately sharpen once-soft photographs. But that's not the complete reason I saved this photograph.
I really love the light. It was a rainy, overcast day with little hope for full sun. But, there were brighter and darker patches of cloud cover delivering soft shadows and highlights moving across the valley and hillsides near Gothic, Colorado. Since I usually add some vignetting to the corners of many of my images, the darker top area and lower right corner help the bright aspens really stand out and help keep my eye inside the edges of the photograph. I also really like the dynamic feel of motion created by the diagonal composition. The sky was ugly which is why I chose the panoramic format. It's perfect for eliminating distracting skies and foregrounds that I would have to accept in a traditional 2:3 ratio most cameras deliver. When I create these panoramas, I usually capture the scene with the camera in a vertical orientation and combine multiple images while panning the camera from left to right. I overlap each image by 50% so when I stitch them together the software has plenty of information to work with. Keeping the camera absolutely level while panning is the most challenging part of creating these panoramas. But there are great tools for that.
I use an L-shaped device made by Really Right Stuff that allows me to level the camera in any orientation, even with a long, telephoto lens. It's a miracle for creating panoramas. This photograph is from September 23, 2010. The stitching software I used back then erased a lot of the metadata in the file when it combined the photos. One bit of information that was not saved was the lens I used. I think it was a Nikkor 300 f4 but I might be wrong. We'll never know for sure.
That's the story about "Aspenshine". You could be the first person to own a print of this image. I think it would look amazing on canvas at 20" x 48". What are your thoughts?
September 02, 2020 • Leave a Comment
As summertime starts to wane in the higher elevations of Colorado, we all are beginning to wonder what kind of fall we will have. To say it's been dry up here would be a huge understatement. It's been the driest 9 months that I can remember in my 33 years here. The prolonged drought has spanned three seasons and shows no sign of changing any time soon. The weather experts are saying that the drought will move fall-color up by a week or so. Many of us are wondering if it will happen at all.
"Colorful Castles" is an image from just 3 years ago. The Castles rock formation brings viewers from far across the planet, especially during the peak of intense fall foliage in late September. The formation is located in the West Elk Wilderness area so you can hike or ride horses to get there but most folks choose to enjoy the views from the Ohio Pass Road. It is a striking geologic scene rising from the surrounding mountains.
Since my father's study of geology at the University of Kentucky was responsible for my moving to Colorado, it's only fitting that I would choose a geological subject. The Castles rise above this huge sea of golden aspen trees making them a good subject using a variety of lens focal lengths from wide-angle to telephoto. For the photograph above, I chose my go-to lens, a Nikon 24-120mm that's always on the camera. This image has the lens set at 105mm so it's slightly compressed, bringing the Castles a little closer than we would normally perceive them to be. The contrast with the fresh snow in the distance and stormy sky with the sunlit aspens in the foreground is what made me pull over and get the camera out. I love that the upper parts of the trees are still decorated with the deeper orange leaves. This happens when a sudden freeze traps the sugars of photosynthesis in the leaves, or so I'm told. They will turn yellow within a few days. I really was attracted to the variety of colors in this scene. I hope you like "Colorful Castles" as much as I do.
August 27, 2020 • 1 Comment
Snow Tango Part 2
This morning at breakfast one of the other "regulars" at Paradise Cafe mentioned that part of this iconic couple had fallen to the ground. I had to drive down to the site to, sadly, confirm that he seemed to have dropped his partner in the dance.
The tire-swing had fallen a few years ago and for a few winters had been decorated with Christmas lights. I did not get that photo! Now, today, the tango has ended. These changes to an iconic scene remind me as I hurry to and fro that I might not get a second chance to photograph a location as I see it today. Stop the car. Take the photo. Even if the scene is not perfect. Take the photo. It may be my last chance.
I have had the opportunity to photograph these trees many times and I have frequently stopped and taken their picture. With each stop and edit, a vision develops about how I can capture not just a snapshot of the scene but how I can create a unique image. That's my job. To create, capture, save, present, and archive my unique point of view or vision for a scene is my job. Considering the scene above, I loved the fresh snow that helps define the delicate branches against the foggy surroundings. The fog removes all the color from the scene except for the trees creating a surreal landscape photograph. The atmosphere was fantastic! I did not even see the tango element of the photograph until I posted it to social media in search of a title. One of my best college friends offered the title "Spring Tango". Since spring snow is a rarity in most of the country, it became "Snow Tango" instead.
This is the second edit of this photograph. The first one is all white without the vignetting around the trees. This second version has more depth and is more interesting, in my opinion. I guess I'll have to live with this version since he has dropped his partner leaving the scene completely changed.
August 17, 2020 • Leave a Comment
East River Magic
by Dusty Demerson
Some scenes just capture your soul. The meanders of the East River near my home in Mount Crested Butte, Colorado is one of those scenes. I love looking down on the river snaking its way through the valley below. I'm not the only one in love with this scene. It's a really popular stop for photographers and sightseers from all over the world.
Sometimes Mother Nature provides us with a scene for new eyes though. I remember being not very optimistic about making photographs on this morning in late September a few years ago. The overcast sky did not seem very promising so I decided I would just run out to Gothic to see what was happening with the colors. Well, this was happening! I didn't want to lose the light so I quickly found a pull-out and set up the tripod and camera. There was a huge range of exposure between the bright sky and shaded foreground so I took bracketed exposures in the hopes of combining them in the processing step. That approach was a total failure so I ended up using darkroom techniques to bring everything to life with a single exposure. Thankfully, modern software lets us accomplish these tasks easily and with reversible precision.
Besides the snaking river and the sunlight streaking through the clouds, I really like the diagonal line of trees in the middle ground. Diagonal lines add a sense of excitement and movement in photographs. This was definitely not a "static" scene so the diagonal lines help to tell the story of this beautiful sunrise. As it turned out, this photograph was the only "keeper" from that day. I hope you like "East River Magic".
August 01, 2020 • Leave a Comment
Ruby Range Reflections
by Dusty Demerson
I got a new client this week. A friend recommended that he check out my website and he found several photographs that he wanted to display in his home. When I met with him to discuss sizes and finishes he shared several stories about the memories he had from the locations in my photos. He has had Crested Butte connections for several generations and, like me, grew up with annual visits to the area. It was interesting to learn about the emotional connections and memories my images brought back for him.
One of my portrait and wedding mentors is Charles J. Lewis from Grand Rapids, Michigan. I learned a lot from Chuck over the years but the most powerful statement he makes is "people purchase photography for emotional reasons". He was mostly speaking about portrait and wedding photography but I'm learning that same principle can be applied to landscapes and events.
The photo above, "Ruby Range Reflection" pulls at my heartstrings. I spent a part of almost every summer at Lake Irwin camping with my family during "Dad's vacation". He fell in love with the Crested Butte area when he spent a summer here during college at the University of Kentucky studying geology. Once we moved far enough west, we came every summer. Later, I learned to ski here. Lake Irwin was always our favorite spot until they built the lodge. Listening to chainsaws and bulldozers diminished the summer experience for us. I still love hanging out at Lake Irwin and most of my private photo tours end up at this spot for the mirror reflection of the Ruby Range.
Views of the lake take me back to fond memories of my childhood. Are there any places that take you back? Do you have any good memories triggered by a photo? I would love to hear about them if you do.
July 21, 2020 • Leave a Comment
The Top 10 Tips for Great Wildflower Photos from the Wildflower Capital of Colorado
Crested Butte has been celebrated as the Wildflower Capital of Colorado for over 30 years. This small, former mining town high in the Colorado Rocky Mountains never ceases to provide abundant and colorful floral displays throughout the summer months.
This year the annual Crested Butte Wildflower Festival has been substantially curtailed due to the Novel Coronavirus. There are no hikes, no tours, no photo instruction, and, mostly, no participants to be found. It's been a huge disappointment to everyone involved but these are strange times in every respect so when the Festival was canceled, it came as no huge surprise. But, that doesn't mean I can't provide a little photo instruction for those of you who love to take photos of wildflowers.
Here are my top 10 tips for making great wildflower photos in no particular order:
1. Use a tripod. Try to make friends with a sturdy tripod. Besides holding your camera steady, it will give you the opportunity to fine-tune your composition and the ability to step away from your subject and think about what you are trying to accomplish.
2. Bend your knees. Get a better perspective and show your subjects respect by working at or even below their level. This also gives you an opportunity to include the surrounding landscape like the photo above.
3. Don't come in out of the (light) rain, fog, or mist. While most photographers will run for the house, heavy overcast skies help saturate colors and a few raindrops or dew can really add an interesting dimension to your photos.
4. Start Early. Early morning light is usually warmer and less harsh and contrasty. It's also usually less windy and there are fewer competing photographers out just before or after sunrise.
5. Don't be afraid of intimacy. Get in close. Simplify your compositions. Eliminate as many distractions around your subject as possible.
6. Choose perfect subjects. Try to find subjects that have bloomed recently and are pristine and undamaged. Don't be afraid to blow off the bugs and do some minimal "gardening" by bending and hiding surrounding grasses and distractions.
7. Only mad dogs and Englishmen go out in the noon-day sun. Early morning and late afternoon provide the best light and times for wildflower photography unless you're willing to use diffusers and additional equipment to soften the light.
8. Think about your foreground, middle ground, and background. Give your photos some depth by trying to engage all three parts of the scene if possible. Frequently, you'll find the foreground and background interesting with no real help from the middle area. This is a great time for a low-angle point of view.
9. Use a variety of lenses. Keep your images fresh and interesting by mixing it up. I use every lens from a 14mm super-wide-angle to a 300mm telephoto for wildflower photography. The wide-angle lenses are great for including the surrounding landscapes and the longer focal lengths are perfect for isolating single flowers in a sea of out-of-focus surroundings.
10. Keep it fun and creative. Don't be afraid to try new techniques, lenses, filters, diffusers, angles, etc.
These are a few of the tips I share on my photo tours. For more advanced participants, we go a lot deeper discussing what to keep in focus and where to place the subject, etc. Color balance, ISO, additional lighting, how to choose a great tripod, and many other questions get answered in my advanced classes and private tours.
Since I didn't get to teach this summer, I thought I would share a few tips with you since the flowers are still out there waiting to be photographed and shared with the world.
June 24, 2020 • Leave a Comment
Crested Butte Cottonwood Colors
Most of my best photographs for the past 10 years or so have been somewhat planned. Since virtually all of my imaging happens within 30 miles of my home, I have a long history of learning where I need to be and when I need to be there. I have the luxury of only photographing on the very best of days and in the very best weather.
"Crested Butte Cottonwood Colors" was not planned. It was a spontaneous response to an incredible play of light and shadow at the peak of fall color with some helpful horses in just the right place. As I rounded the curve at the cow camp the scene exploded in front of me. We were having our typical fall weather of late-afternoon showers and there was a substantial bank of clouds shading the top of the scene. That shadow really made the backlit trees pop and glow. The horses seemed to be almost in a spotlight and add a wonderful element of life to the scene. I did vignette the bottom and sides a bit to keep your eyes in the scene, a technique I learned from Ansel Adams.
I'm a bit sad that the photograph became so long and skinny. It makes it awkward to print and display. Obviously, I can crop the edges to a more comfortable ratio but I don't like losing all those trees. So, here it is: "Crested Butte Cottonwood Colors". Let me know your thoughts.
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© 2021 Dusty Demerson. Please do not use our photos without permission
Crested Butte, Colorado photographer, Dusty Demerson creates fine art photography displayed as prints and canvases and provides private photo tours in and around western Colorado.
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Recent PostsHow the Art Happens - Cathedral How the Art Happens - Don't Call Me Skunk Cabbage How the Art Happens - 4 Crosses - San Geronimo Church How the Art Happens - Warm Wishes How the Art Happens - Elk Avenue Snow How the Art Happens - What is it About Black and White How the Art Happens - Crystal Mill Colors How the Art Happens - Autumn Impressions How the Art Happens - Aspenshine How the Art Happens - Colorful Castles